Sphinx Theatre and Royal Central School of Speech and Drama are collaborating on a showcase of 7 short plays pieces written as part of the Sphinx 30 project 2020/2021, directed by Ros Philips and Martin Wylde. The writers who have been selected for this showcase are: Satinder Chohan, Suzette Coon, Sarah Grochala, Ming Ho, Morgan Lloyd Malcolm, Julia Pascal, Jane Upton. Due to Covid restrictions entry to this event is by invite only.
Our friend Futures theatre has released a new podcast series! Fully Amplified is a 7-part original drama-documentary series exploring the stories of over 30 women and non-binary people from all walks of life, brought to you by some of the UK’s most dynamic writers.
Now on Apple, Spotify & more.
For more information go to the fully amplified website: www.futurestheatre.co.uk/fully-amplified
We had an incredible time at our What Share of the Cake? Forum, presented in association with University Women in the Arts and the December Group, a new group of women artists and practitioners working in theatre. It was astonishing to hear all of the research in one place, and we are reinvigorated in our fight to establish gender equality in theatre with help from Arts Council England.
To take a look at our research head over to the Research Reports page, and watch this space for our new report on the outcomes of the forum.
Sphinx, alongside other members of the December Group, has written an Open Letter to Oliver Dowden. Find out more here.
Dear Oliver Dowden,
Over the last 2 months, we have been looking at the question of how to rebuild the arts post-coronavirus, from the perspective of women’s equality. Our concern is that gender inequality will increase in straitened, risk-averse conditions.
Our research shows that one reason less work by women is programmed is that women are sometimes viewed (incorrectly) as more of a box-office risk. This aligns with evidence in Sphinx Theatre’s year-long research project on Women in Theatre, conducted with Jennifer Tuckett at the University of Cambridge last year, including quotes from NPO Artistic Directors:
“There isn’t enough money to make exciting commissions happen and there is pressure on the bottom line to deliver sure fire winners, which often means extant texts, which often means male written.”
“I would say that managing risk is a challenge for every theatre. There are things that I know in the wider sphere wouldn’t be a risk, but here they would be. And that often is to do with contemporary new work that’s not necessarily of a known quality”.
“The challenge is we need a play that’s recognizable, that we can get an audience in with…. and the repertoire’s dominated by men. So it’s how you change that.”
We will be sending you the Report of our recent research, and from the major Women in Theatre Forum (partners including The Writers’ Guild of Great Britain, Equity, ERA 50:50, University Women in the Arts, Sphinx Theatre, Black Womxn in Theatre, Stage Directors UK).
We are writing to flag up this issue now, however, as we notice that your taskforce has only 3 women out of the 9 task force members (33%). Our research from Australia has shown that a gender-equal team is more likely to consider all genders’ needs.
We also notice that 0% of the leadership is female, as both yourself, as Chair of the taskforce, and the newly appointed Commissioner for Cultural Recovery and Renewal are male.
For all these reasons, we ask that you use a ‘gender lens’ to make and review all your decisions.
We will be sending you our Report within the next few weeks. We ask you and your taskforce to reflect, and act, on its findings, as you consider how best to rebuild the arts post-coronavirus.
We hope you will let us know what measures will be put in place to ensure gender equality.
Maureen Beattie OBE, President of Equity
Sue Parrish, Artistic Director, Sphinx Theatre
Polly Kemp, Co-founder, ERA 50: 50
Brigid Larmour, Artistic Director, Watford Palace Theatre
Jennifer Tuckett, Director, University Women in the Arts
Dr Julia Pascal, writer, director, academic and the first female director at the National Theatre at the South Bank
Chloe Todd Fordham, playwright, dramaturg and the former Literary Manager at Graeae Theatre Company
On behalf of The December Group
Pick of the Week
Mum at Soho
“What if the thing you fear most is also the thing you crave? All you wanted was one night of unbroken sleep, what have you done? Mum is a feverish journey through every parent’s worst nightmare.”
You can now book tickets for Olivier award winning playwright, and Sphinx 30 writer, Morgan Lloyd Malcolm’s brilliant new play Mum, showing at Soho Theatre from the 20th October to the 20th November.
Overflow @ The Bush
“Cornered into a flooding toilet cubicle and determined not to be rescued again, Rosie distracts herself with memories of bathroom encounters, drunken heart-to-hearts by dirty sinks, friendships forged in front of crowded mirrors, and hiding from trouble.”
Don’t miss Overflow at The Bush, written by Travis Alabanza and directed by Debbie Hannon. On until the 9th October.
Rockets and Blue Lights
There are still a few tickets left for the brilliant Rockets and Blue Lights, directed by Miranda Cromwell and written by Winsome Pinnock, award-winning playwright and Sphinx 30 writer. First staged at the Royal Exchange Theatre in Manchester, Rockets and Blue Lights it was named winner of the 2018 Alfred Fagon Award.